Chances are you’ve seen this storyline play out on
either a big or small screen: An FBI agent investigates a prominent
labor leader. Or maybe a union boss orders a hit on a recalcitrant
member of the rank-and-file. Or perhaps a union president skims
money off a pension fund to make an illegal loan.
Plotlines like these derive from one of Hollywood’s
longstanding and most favored tropes: the corrupt, mobbed up union,
and more specifically, the corrupt union boss. It lends itself to
countless stories: The rise and fall of a Mafia-backed labor head,
the rebellion of rank-and-file workers against their tyrannical
leadership, the precarious union on the verge of implosion.
Accordingly, over and over again, we’ve seen stories of labor
unions entangled with extortion, bribery, blackmail, theft and
murder.But, even if union
bosses can make compelling characters, why is it that they must all
be corrupt mafiosi? Why is it that heroism in pop culture is
overwhelmingly the domain of police, attorneys and doctors and
hardly ever people fighting for labor rights and the collective
power of their co-workers and communities? Why, instead of
highlighting the courage of labor organizers and the life-changing
protections won, must Hollywood repeatedly emphasize only unions’
historical ties to organized crime and a seamy underbelly of
corruption, murder and intrigue?
On
this show, part one of a two-part episode on labor depictions in
Hollywood, we explore organized labor and unions in film and
television, how these pop depictions inform broader public
sentiment about unions. And next week, we’ll discuss some of the
more positive portrayals of labor and unionism in film and
television.
Our
guest is writer and organizer Ken Margolies.
About the Podcast
Citations Needed is a podcast about the intersection of media, PR, and power, hosted by Nima Shirazi and Adam Johnson.